The grey area between graffiti and vandalism is more than theoretical for Roadsworth: his controversial street images have turned pavement into politics in the city of Montreal and rekindled debate about the nature of public art.
Peter Gibson, the man behind the Roadsworth graffiti identity, began taking to the streets of Montreal in the early mornings of late 2001, spray-painting cyclist symbols on roads to protest the lack of bike lanes and paths in the city. Gradually his street images developed into increasingly symbolic displays of civic and environmental critique: pedestrian crossings on the Plateau Mont-Royal turned into giant footprints; orange stencils of barbed wire lined crosswalks; heart monitor-like spikes and valleys punctuated centre lines on roadways.
bron: spacing - Laura Boudreau
if both Roadsworth and Banksy are spinning variations on traffic linage, there must be others out there doing the same thing around the world