Wayne Atkins focuses his attention on the art gallery and its contents. Working within the particular architecture of the exhibition space, Atkins' landscapes are more psychological than logical. Hanging on the white walls (which are often marred with the drips, drabs, scuffs, and scrapes that are the traces of making a painting in the studio) are familiar artworks from both past and present that the artist has revised using a large amount of artistic license
Moleskine Wayne Atkins notebook @ Detour exhibition (02:19)
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