zaterdag 19 september 2009

Eamon O'Kane




Eamon O’Kane recognizes the dichotomy in his own paintings where he seems to offer the possibilities of hope, optimism and redemption with one hand while snatching them away with the other through his surreal, foreboding, and threatening allusions. So for O’Kane, a home is not just a home, and green rolling hills are not just green rolling hills -- they become symbols of a precarious scenario where utopia apparently is within reach but actually is on the verge of being obliterated by a disturbing presence that seems to be lurking just beneath the surface.
source:
seelinegallery

 
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