William Powhida’s work, reflecting his critical background, displays a concentrated fascination with the politics of access and the powers that control the assignment of value in the artworld. All roles are fair game, from nouveau-hot artists and the market-setting collectors that buy them, to the branded dealers that sell the work and the critics paid to provide intellectual justification for the pricepoints.
To soften what might appear a direct editorial voice, Powhida projects his commentary through the lens of an alter-ego, one with whom he shares a name (William Powhida). This alter-ego closely resembles any number of freshly minted artworld ‘geniuses,’ though Powhida’s character happens to exhibit all of the worst traits imaginable in any coddled enfant-terrible art star.
BOMB On The Inside - What One Drawing Can Do
By David Goodman Dec 3, 2009
the writing is on the wall(past exhibitions/2009)