dinsdag 21 september 2010

Alex Da Corte




“There is a certaindecorative motif to Latin American culture that inspires me,” he says. “Like the festive nature of the Day of the Dead and the life-size piñatas with lots of sequins and glitz.”

Alex Da Corte seems to revel in that kind of gleeful explosion of candy and papier-mâché. His sculptures operate partly as high aesthetic comedy—one of his first serious works was a hand-sewn 15-foot-long ketchup bottle madeof vinyl—and more recent projects have included stuffed-animal snakes, rattlers made of crystals and acrylic fingernails, and homemade batches of cola repurposed on the floors of P.S. 1 as dried, minimalist grids.

Nevertheless, this pop appeal doesn’t come without an ensuing punch in the stomach. Many of Da Corte’s sculptures turn mournful or macabre—or just plain heartbreaking—right in the center of the party.
source:
interviewmagazine



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